Indian Classical Dance Companies and Studios in the Diaspora

Doing Sustainable Business while Shaping Clientele Cultural Worldviews, Ethnic Identity, and Values

Authors

  • Samta P. Pandya Tata Institute of Social Sciences

DOI:

https://doi.org/10.34053/artivate.14.1.237

Keywords:

Indian classical dance companies and studios, diaspora, diaspora clientele, sustainable business, cultural worldviews, ethnic identity, values, holistic values

Abstract

This article reports on a survey of artistic entrepreneurs of Indian classical dance companies and studios (ICDC&S) in the diaspora and their clientele. Results suggested that diaspora ICDC&S are fairly sustainable businesses. Artistic entrepreneurs reported good self-efficacy in diaspora engagements, with variations due to gender, dance style, and entrepreneurial experience. The majority of ICDC&S clients reported high pro-cultural attitudes, a fair propensity to explore and commit to one’s ethnic group, and high ideal-type value orientations. Diaspora ICDC&S are emerging sustainable business models that connect the artistic worlds to market realities and deploy culture/values to strategically carve a space within complex globalized landscapes.

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Publisher 
The University of Arkansas

Author Biography

Samta P. Pandya, Tata Institute of Social Sciences

Samta P. Pandya is a faculty member at the Tata Institute of Social Sciences, Mumbai, India. Her areas of research include faith, spirituality, faith-based organizations, art forms, Indian classical art forms, arts-based programs, and interventions across the lifespan.

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Published

2026-03-16

How to Cite

Pandya, S. P. (2026). Indian Classical Dance Companies and Studios in the Diaspora: Doing Sustainable Business while Shaping Clientele Cultural Worldviews, Ethnic Identity, and Values. Artivate: A Journal of Entrepreneurship in the Arts, 14(1). https://doi.org/10.34053/artivate.14.1.237

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Articles