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 Table of Contents 

ARTS ENTREPRENEURSHIP: A CONVERSATION. . . . . . . . . . . . . . . 1

Gary D. Beckman, North Carolina State University; Linda Essig, Arizona State University

 

WHAT’S IN A NAME?

TYPIFYING ARTIST ENTREPRENEURSHIP IN COMMUNITY BASED TRAINING . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

Paul Bonin-Rodriguez, University of Texas at Austin

 

THE CASE OF THE PITTSBURGH NEW MUSIC ENSEMBLE: AN ILLUSTRATION OF ENTREPRENEURIAL THEORY IN AN ARTISTIC SETTING . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25

Jeffrey Nytch, University of Colorado – Boulder

 

SHATTERING THE MYTH OF THE PASSIVE SPECTATOR: ENTREPRENEURIAL EFFORTS TO DEFINE AND ENHANCE PARTICIPATION IN “NON-PARTICIPATORY” ARTS . . . . . . . . . . . . . . . . . . . . . . . . . 35

Clayton Lord, Theatre Bay Area