Table of Contents
ARTS ENTREPRENEURSHIP: A CONVERSATION. . . . . . . . . . . . . . . 1
Gary D. Beckman, North Carolina State University; Linda Essig, Arizona State University
TYPIFYING ARTIST ENTREPRENEURSHIP IN COMMUNITY BASED TRAINING . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
Paul Bonin-Rodriguez, University of Texas at Austin
THE CASE OF THE PITTSBURGH NEW MUSIC ENSEMBLE: AN ILLUSTRATION OF ENTREPRENEURIAL THEORY IN AN ARTISTIC SETTING . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
Jeffrey Nytch, University of Colorado – Boulder
SHATTERING THE MYTH OF THE PASSIVE SPECTATOR: ENTREPRENEURIAL EFFORTS TO DEFINE AND ENHANCE PARTICIPATION IN “NON-PARTICIPATORY” ARTS . . . . . . . . . . . . . . . . . . . . . . . . . 35
Clayton Lord, Theatre Bay Area
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